Interlude: Thirteen Arcadia, Part Two

Content Warnings

Cannibalism/discussion of cannibalism in detail
Pregnancy and childbirth (sort of)



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Elpida’s voice whispered across the long distance communications uplink, filling Thirteen Arcadia’s amniotic heart with an unexpected chill.

<<‘Hunt,’>> Elpida said. She paused and laughed, cold and hollow. <<That word lends the act more legitimacy than it deserves. As if it was difficult, or a challenge, or there was any question of the outcome. ‘Murder’ would be more accurate. Yeah, it was murder. Slaughter? That’s what one does with animals one intends to eat, as I understand. Butchery? Oh yes, it was butchery. There was plenty of that involved, in the aftermath.>>

Thirteen was still picking her way through the halo of ruined buildings on the outskirts of the landslide. The damage stretched for miles. Dawn had passed, noon had come and gone — or what passed for noon beneath the charred and choking grave dirt of the sky. Deep inside her body of wet warm crimson flesh and womb-soft frills and fluids, Thirteen hugged her old core tight, squeezing herself with a dozen arms. Elpida’s words made her shiver.

Pinned between black skies and dead soil, she listened to a zombie tell a tale of death and cannibalism.

She listened willingly; she could do little else to assist her Commander.

<<I keep telling myself that in the end there was no choice. Choosing to starve to death, that’s no choice at all. Serin and Pira have both insinuated that if we get hungry enough, we’ll turn inward, turn on each other, so the cannibalism would be inevitable, followed by a messy, painful end. A choice between self-destruction and destruction of others, that is not a choice, that’s a terrible necessity. But what if that’s not right? What if we should have starved? What if that was the right thing, to allow ourselves to be destroyed by time and erosion, so that a few others might live? I—>>

Elpida cut off.

Thirteen paused beneath the shadow of a railway station. The building was made of toughened glass and dirty chrome, suspended a hundred feet in the air on a ribbon of corroded metal, arcing away toward the south-east. The massive support struts of the elevated rail-line had survived the landslide mostly intact.

<<Commander?>> she sent.

Elpida replied. <<I’m sorry, Thirteen. Howl was chastising me for growing morose. She reminded me that the deed is done, and we must move forward.>>

Thirteen stepped out from beneath the suspended station. A hundred feet to her left, a true zombie was perched on the shell of a collapsed building. It was an evolved revenant, like all the others Thirteen had witnessed in the wilds beyond the worms. It clutched a broken steel girder with half a dozen sets of avian talons. The rest of its body was a ragged mass of back-swept sheets of flesh and feather. It painted her with a suite of targeting sensors and deep-penetration scanners.

Thirteen replied with a targeting sweep of her own, backed up by a flare of her weapon pods — a glance and a shrug.

The zombie killed its sensor package, folded itself up into a tight ball, and turned its flesh to a mirror-finish. It scurried away into the rubble, invisible to the naked eye.

Thirteen strode onward.

She said, <<You have a responsibility to the others, Commander. You cannot let them starve. You are doing the right thing, embodying Telokopolis. You cannot let that conviction die of starvation.>>

Elpida sighed, long and low. Thirteen heard other sounds over the comms uplink — the rustle of clothing, the scuff of boots against metal, the gentle creak of a chair. Elpida’s body, moving inside Pheiri’s control cockpit, twenty days walk back north. Thirteen closed her inner eyes and pictured Elpida sitting there, tall and strong, white hair fanning out down her back, purple eyes ringed with dark circles. She imagined Elpida bent forward in her seat, hands clasped together, haunted gaze fixed upon the metal floor.

Part of Thirteen Arcadia — the part that had once been wholly Thirteen, and had once wrapped human arms around Twelve Fifty Five — longed to touch her Commander, to give her a hug, to tell her it was going to be alright.

Eventually, Elpida answered. <<That’s what Howl told me, too, so you’re in good company there. But I can’t help thinking, what if we’d held on for another week, or another two weeks? Kagami’s project is working, slowly. Bearing fruit. Maybe if we had just … >>

Elpida trailed off. Thirteen forced a laugh, with human-like lips inside her core. <<Bearing fruit? Literally?>>

Elpida laughed too, but it was fake and limp. <<Not yet,>> she said. <<One day soon, perhaps. The seeds she’s developed are miracles. I should have Pheiri send you an image or two, they’re really worth seeing. These little nubs of bleeding flesh, a little bit like combat frame machine-meat. But they don’t need clean rooms or teams of engineers to make sure they sprout in just the right ways. The project is working. I keep repeating that to myself, reminding myself of it. We are on the right track. A source of sustainable, renewable food, one that doesn’t rely on killing and eating other zombies, especially if Vicky can figure out how to get Pheiri’s internal systems to produce them as well, or at least feed them. But … >>

Thirteen climbed the side of a fallen skyscraper as Elpida spoke. The tower was tilted at an angle, propped up on the tangle of rubble and ruin. She reached the apex and gazed out across the endless corpse of the world, red-lit by the tortured furnace behind a distant corner of the sky.

The southern horizon was nothing but more city, for mile after mile after mile.

<<But not yet,>> she finished Elpida’s sentence.

<<But not yet,>> Elpida echoed. <<Yes. Not yet. The first few seeds failed and died. The next two, they started to grow, but … it wasn’t right, didn’t look right, or smell right. We had to get rid of them. The three we have growing now, they could take weeks, months, I don’t know how long. And we won’t know the result until they mature. I dare not ask Kagami to modify them further. Any more interference with her systems might send them off-course again. So we’ll have three plants, in who knows how long.>>

Thirteen jumped off the tip of the tilted skyscraper and fell one hundred feet to the ground. She landed with a compression of all four legs, using air and fluid to absorb the impact, rocking with the flow of gravity. A perfect touchdown.

Elpida wasn’t speaking.

<<So, you went hunting?>>

Thirteen heard a wet noise — a swallow. Elpida continued.

<<Serin said we needed to eat. Said we were going funny, getting ‘meat crazy’. She wasn’t wrong. Tempers have been fraying for over a week. Some of the others are good at dealing with that, but some aren’t. Kagami and Vicky had a fight, a bad one. They almost came to blows a few days ago. I had to pull them apart. They still haven’t fully made up, which worries me. Pira and Ooni, they both pretended they didn’t need it, but Ooni isn’t good at pretending. I kept catching her staring into space, drooling, wavering, eyes unfocused. Amina, she’s young, she’s still a kid, she can’t handle the hunger. Ilyusha, she’s solid. I think she dealt with hunger in life. Atyle, I don’t even know, she never expressed anything out of the ordinary. If it was just me and Illy and Atyle, maybe we could have held out for months. Maybe not. Maybe that’s just the guilt talking.>>

<<You all needed to eat, Commander. You included.>>

Elpida snorted a humourless laugh. <<I would say I’m only human, but that isn’t true. We’re all zombies, now.>>

Thirteen did not know what to say. That was true, wasn’t it?

Elpida carried on. <<Serin was going to do it anyway, even if I didn’t approve. She threatened to come back and dump a bunch of bleeding girls on Pheiri’s back ramp. I suspect she’s been hunting and eating anyway. She comes and goes as she pleases. And Iriko, she’s definitely been eating. We couldn’t stop her even if we wanted to. So I had to take responsibility. I asked for volunteers. In the end, the hunting party was composed of Serin, myself, Ilyusha, and Hafina. Vicky wanted to go, but I told her no. I think that was a mistake. I think that hurt her. Maybe I was getting ‘meat crazy’, too.>>

<<Hafina? She went hunting with you?>>

Elpida chuckled with residual warmth. <<Yes, I was surprised by that, too. She doesn’t need the meat, but she still wanted to help. She’s one of our most capable fighters, it only made sense. Melyn didn’t like it, though. She doesn’t like Hafina leaving Pheiri at all.>>

Thirteen set off into the streets of the dead city once again, striding down rivers of ancient asphalt. The buildings in this part of the city were windowless humps of concrete and steel, set low into the ground, nestled amid fields of ditches and trenches, rusted barbed wire and metal barriers. A land of bunkers and kill zones stretched off toward a black horizon. This part of the city was built for a war of ants amid the body of a machine, but it was empty and echoing, uninhabited by even the undead.

<<We went out into the city,>> Elpida said. Her voice grew hollow. <<Several blocks from Pheiri, toward the worm. In the daylight, so we would be easy to spot. Hafina and Serin hung back. Haf used her cloaking. Ilyusha and I acted as the bait. We didn’t have to wait long or search very far. We were out there perhaps twenty minutes, wandering around in back alleys and such. That was enough to bait an attack.>>

<<They struck first? Then—>>

<<They didn’t stand a chance, Thirteen. It didn’t matter if they struck first, that’s no excuse. They came out of a hole in a wall, a burrow in the brick and dirt. I poked around down there after it was all over. They had a couple of filthy blankets and a few gnawed bones. The remains of their own cannibalistic meal. Does that make it right? Cannibalising the cannibals? Does that justify anything?>>

Thirteen faltered, her steps halting. <<I don’t know.>>

Elpida snorted. <<Neither do I.>>

Thirteen carried on, striding across the field of bunkers. Elpida fell into silence. Thirteen wanted to help. She asked the only thing which made any sense.

<<Who were they?>>

<<Very good question,>> Elpida said. <<The right question, I believe. There were four of them. Four of what Serin calls ‘bottom feeders’ — revenants who’ve died so many times, in such brutal ways, that they’ve lost themselves to this predatory system. Or they never knew what was going on in the first place, they’re from times where they couldn’t possibly have any context for what’s happening to them. The four who attacked us … they … I … I keep asking myself why they did it. Why they attacked.>>

<<Because they were hungry too?>>

Elpida snorted a laugh which was not a laugh. <<Because they were hungry too, yes. But Ilyusha and I, we didn’t make ourselves an easy target. Ilyusha is an obviously modified cyborg, you can see her claws from a street away. I was heavily armed and armoured. I wore pieces of Ooni’s carapace. Maybe I was hoping that would deter the ‘bottom feeders’, hoping some real monster would come for us, make us justify the murder. But those four … >> Elpida trailed off for a moment, then rallied with a deep breath. <<They didn’t even have guns, Thirteen. They had bare fists. One of them had claws on her right hand, but they were too blunt and too small to pierce any real body armour. Another one of them had sharpened teeth. But that was it. They tried to jump us with metal pipes and a couple of half-bricks. One of them had a knife, but it was nothing really. They were screaming, shouting, incoherent sounds, insults, goading, that sort of thing. They had no plan, just hunger and rage.>>

Thirteen strode across the endless field of bunkers. She swept her sensors back and forth, looking for signs of life — or unlife — just in case any zombies bold or unwise decided she was worth an experimental bite.

<<They never stood a chance,>> Elpida repeated. <<They didn’t even close to melee. Ilyusha took two of them apart with the shotgun. Serin neutralised the other two. It was over in seconds. That wasn’t a fight.>>

Thirteen spotted an occupied bunker.

Three hundred meters to the east, one of the concrete enclosures contained a pair of revenants, their bodies burning bright to Thirteen’s long-range heat and motion sensors, their biology glowing like firelight to her nanomachine-load pick-ups. Thirteen could not achieve high resolution through half a dozen layers of reinforced concrete and steel rebar, but she could guess at what the zombies were doing. They were coiled around each other, one’s back to the other’s belly, arms clinging tight, deep in the guts of the ossified fortification. They were tucked beneath blankets, breathing softly.

Thirteen replied to Elpida. <<At least they didn’t suffer.>>

<<They did. One of them wasn’t dead when she fell. We found out when we inspected the bodies. She hissed and spat and clawed at me, then reached for the one next to her. Said a name, or what I think was a name, but I couldn’t make it out. Something like ‘Anda’. I finished her off, but … >>

Thirteen’s footsteps must have disturbed the pair of sleeping zombies; her sensors showed one of them scrambling out of bed, deep inside the bunker, then pressing her face to some kind of periscope system. Her partner flew after her, gathering up objects, darting about the inside of their concrete nest.

Thirteen killed her directional sensors. She angled her route away from the bunker. She quickened her pace.

<<That was the right thing to do,>> she told Elpida. <<If you have to kill, have mercy.>>

<<They didn’t die.>>

<<Commander? I’m sorry?>>

Elpida’s voice was losing volume and clarity; long range transmission fidelity was suffering due to the geography between Thirteen and Pheiri, or perhaps due to the density of the city, or random atmospheric conditions; Thirteen cycled uplink mediums and re-handshook with Pheiri until the Commander’s voice regained clarity.

<<They didn’t die properly,>> Elpida said. <<That’s how undead bodies work. They seemed like they were dead, of course. Unmoving, limp, so on. But they twitched when we started cutting. They didn’t scream, or writhe, nothing so obvious. When we got their heads off, the eyes and jaws kept moving, twitching, jerking. I don’t think they could feel it, not consciously. But on some level their nanomachine systems were still active. We’re not really mammals anymore, Thirteen. Us zombies, I mean. We’re more like slime mould. Or fungus. Distributed networks.>>

Thirteen glanced back with a cluster of unobtrusive sensors, so the zombies in the bunker would not see her peeking at them.

The pair were huddled against a wall, their bodily processes slowed to a minimum, waiting in absolute stillness, hoping the giant monster beyond their sanctuary would pass by without stopping to eat them.

Everyone out here — every highly-evolved revenant beyond the graveworms — had engaged in the same process Elpida was describing.

<<They didn’t stop twitching until we took the brains out,>> Elpida said. <<Just like the severed heads I handled before.>>

Thirteen did not know what to say. <<I’m sorry you had to deal with that, Commander.>>

<<I’ve handled worse,>> Elpida said, with a smile in her voice. <<We didn’t waste anything. That was the least I could do. Skin, gristle, marrow, eyeballs, organs, all of it, every last piece. Not a single nanomachine wasted. Anything less would be the worst kind of disrespect. To waste that sacrifice would be a terrible thing.>>

<<I … I think I understand. How are the others?>>

<<The others didn’t react so bad, actually. I assumed Vicky would struggle with what we did, but she took it in her stride. She helped me make sure we didn’t waste even a fragment of skin. Kagami, Amina, they both seemed okay. Shaken by the necessity, but okay. I think Kagami wasn’t prepared for the bloody reality. She went quiet after it was all done, all the bodies processed. Atyle barely reacted, but I shouldn’t be surprised by that. Ilyusha’s been doing this for a long time, she was fine. Ooni did as she was ordered. Pira … Pira forced herself to help strip the bodies. She didn’t eat, though. Took some of my blood, a couple of hours ago. Serin doesn’t care. Melyn and Hafina seem detached. Pheiri, well, you know him.>>

<<And Howl?>>

Elpida’s voice crackled across the connection, speaking with a new yet familiar tone: <<Just fiiiiine, sister. A girl’s gotta eat!>>

<<We all have to eat, yes,>> Thirteen agreed. <<Commander, you really didn’t have a choice about that.>>

<<Didn’t I?>> Elpida said, in charge of her own voice once again. <<I can’t stop thinking about their faces. Hafina has on-board image and video capture capability. I had her upload the footage of the encounter to Pheiri’s control cockpit. I’ve got the whole thing recorded, from the first sign of movement to the bloody end. I’ve picked out dozens of still images of all four faces. Mostly of the one I finished off. She was … Howl says I shouldn’t do this. Howl believes this is not practical or healthy.>>

<<Commander, I … I think I agree. You don’t have to—>>

<<I’m staring at one of them now, on one of Pheiri’s screens. The leader of the four, I think, the one I put down myself. She was tiny. Four foot nine. Filthy from head to toe. Wearing rags and a single piece of plastic armour on her left shoulder.>>

Elpida paused. Thirteen marched on. The end of the bunker-field loomed on the horizon ahead; the city reached for the skies beyond, splitting into a dozen towers of rusted metal, little spires like imitations of Telokopolis, stunted and rotten.

<<I keep … >> Elpida’s voice shook. She gulped. <<I keep thinking about how they were probably friends. Did they sleep together, that night, before we killed them? Were they wrapped up in the blankets we found? Did they love each other? What were their names? Was that a name I heard, before I ended the one who died in my arms? Was she reaching for her best friend, her lover, or something else? Was she reaching for a weapon to kill me with? Was she pleading for mercy?>>

<<Elpida, you—>>

<<Will they ever find each other again? Will one of them wake up in a tomb, tomorrow, or a week from now, or a year on, alone and lost? It’s little different than what the Covenanters did to me and all my sisters. And I did that, this time. I did that. I bear the responsibility and—>>

<<Sister!>> Thirteen cried into the amniotic fluid of her comfortable and cushioned core. She was weeping from eyes open in the warm dark of her own body. <<Sister, you can’t do this to yourself! You can’t give in to despair!>>

Elpida paused. When she spoke again, she sounded strong. <<Give in to despair? No, Thirteen, no. You’ve got it all wrong. I can’t give in or give up, even more so after what we did last night.>>

<<I … I don’t understand?>>

<<Do you understand why I asked for Hafina to upload her combat footage to Pheiri? Do you understand why I’m staring at those faces?>>

<<No. I’m sorry.>>

<<You’ve nothing to apologise for. I’ll explain. I’m doing this so they’ll never be forgotten. Those four gave their lives so that we might live a little longer. So that Kagami’s project might bear fruit, so that we might make something different, do something different, something new amid all this carnage and cannibalism. Maybe they’ll never know it. They didn’t choose it, consent to it, or even know what we were doing to them. The least I can do is remember their faces. If … >> Elpida swallowed. <<Thirteen, this is going to sound ridiculous. Serin called it ridiculous. And she’s probably right. But if we do achieve ‘metabolic escape velocity’, if we can find a way to live off Pheiri’s internal nanomachine processing or undead plants or anything else, if we can build something more — if, in five years or ten years or fifty years from now, if we do it, if we survive, if we … tear this system open down the middle, I’m going to find these four. When they’re resurrected again. I’m going to find them, and give them a place in whatever we build. That’s why I’m engraving their faces into my memory. They died for a greater cause. But they did not deserve to. They deserved to live, like us. And that debt will be repaid. In Telokopolis.>>

Thirteen had held the Commander in such awe, ever since she had stepped into the pilot chamber of Arcadia’s Rampart and freed Thirteen from what she’d done.

Thirteen could not find the right words to do the same in return.

Elpida did not speak for a long time. Thirteen listened to the tiny sounds of the Commander’s breathing.

<<Sister?>>

Nothing.

<<Elpida?>>

The Commander finally answered. <<I’m sorry, Thirteen. You didn’t need to hear all my self-justifications.>>

<<I can carry a lot. I’m strong now.>>

<<Good. And I’m glad you are. I’m glad you’re doing what you’re doing, it’s the right choice, it is, really.>> She took a deep breath. <<I don’t know if I can do that a second time, Thirteen. Hunt again, I mean. And I don’t think doing it again would be strength. I think it might be the opposite. I don’t know. Maybe Pira was right. Maybe there is no way to participate in all this. But participation is not optional.>>

Thirteen still did not know what to say. <<Telokopolis is forever.>>

Elpida echoed, <<Telokopolis is forever.>>

Thirteen walked on, heading south, toward the edge of the continent.

She spent the next five days watching the skies and watching her back, waiting for the inevitable arrival of central’s next monster. She checked in with Pheiri at irregular intervals, so her transmission would not create a predictable pattern. She swapped more words with the Commander, with Mirror, with Pheiri himself, and even with one of the little robots, Melyn. She settled into a routine of varying her long-range scans, keeping them fresh by injecting random numbers into her schedule, in case central should try to sneak up on her again.

After five days had passed, she started work on a satellite.

Constructing the satellite was not easy; it was a great challenge, the most complex object she had ever made, before or after the Change. The device had to be grown entirely within her own flesh, so in a way it was part of her, built from glistening garnet machine-meat and nano-composite bone. She wove the core of the satellite from thick layers of data storage and processing substrate, fatty and greasy with neurons. She armoured each layer, then plated the exterior with inches of bone. She gifted her creation with sensor suites and communication relays. She armed it with short-range self-defence weaponry, anti-missile cannons, miniaturised shield generators, and enough drive systems to keep itself aloft for a few dozen years, harvesting fresh fuel from the atmosphere.

She added internal gravitic engines, based on the tiny versions she had discovered inside central’s third asset. She was not beyond appropriating The Enemy’s clever ideas.

As she crafted and cut, she kept thinking of it as a ‘satellite’, but really the machine was a large drone; the object would never pierce the cloud layer, let alone achieve low orbit. The clouds which smothered the planet were opaque to all but the most powerful sensors, certainly too much for the eyes and ears of her little drone. Even if she could develop a method of seeing through Earth’s rotting coverlet, what would be the point? Such a tiny thing could not achieve escape velocity. She would have to carry it up there herself, and central would undoubtedly find a way to stop her from doing that. Central would notice the excursion. The point was to remain unseen.

Thirteen Arcadia copied the techniques she had observed during her fight with the Disco Ball. That was her final and most important gift to this bud-child of her own flesh — visible-light reflection, gravitic cloaking, nanomachine-load shrouding.

Her unseen eye in the sky.

Finishing the satellite took her fifteen days. Central had still not sent another asset.

Those two weeks were not all quiet journey. Thirteen sighted two more graveworms, one far away to west, and one much closer. She gave both of them a wide berth; she felt protective of the satellite she was growing inside her body, and did not want to risk a confrontation. She saw many strange zombies among the ruins, deep inside the cold, hardened guts of the city, in places where no worm had turned in decades. She catalogued and recorded and broadcast every scrap of data back to Pheiri. She improved her own scanners, looking for microbes, but found only nanomachines. She worked on her poetry, whispering her endless broadcast to Twelve Fifty Five, hoping and praying that she was heard.

She grew her satellite, healthy and strong.

Thirteen Arcadia launched her creation on the forty second day of her journey to the edge of the world, at dawn.

She tested the satellite first, sheltered by a deep canyon of concrete and steel, inside the heart of a vast fortress, a city in its own right. Portions of the fortification contained warring entities almost as physically large as Thirteen Arcadia herself. They were protoplasmic blobs of highly pressurised fluid and viscera, without sensory organs or limbs; they flowed and pulsed through the vast hallways and corridors, contesting for space with each other like overgrown single-celled organisms. Thirteen assumed they were revenants who had left behind their human body plans, though they did not seem much like Iriko. They were vast by comparison, and much less vulnerable.

She spent six hours watching and investigating the creatures, to make sure they would not attack her. They didn’t care. They ignored her, for she was not edible.

She kept to the castle courtyards, beneath the blackened sky, and began by extracting the satellite from within her own flesh.

It was an easy birth, assisted by gravitics. She had given the machine an oblong shape — not for ease of removal, but for operational purposes of stealth and manoeuvrability. The whole process took less than one hundred seconds. When it was done, Thirteen briefly savoured the sensation of cold air against the inner surfaces of her body, wet and trembling with the echo-ghost of pain. Then she closed herself back up and examined the result.

The satellite bobbed about twenty feet off the ground, holding itself aloft with tiny gravitic engines. White bone-armour was slick with machine-meat slime, dripping with the crimson sheen of afterbirth. The satellite quivered and shook as it took in the world beyond Thirteen’s body.

Thirteen reached out and stroked it with hands and tentacles and a brush of gravitics. The satellite responded with caution, then with recognition, and finally affection.

After a few moments of petting, the satellite spread its own outer layers of flesh and bone into great ragged sheets of whirling white and red.

<<I think I love you,>> Thirteen told it. <<Why is that? Because I made you? I wish Twelve Fifty Five could see you. I’ll show her pictures, so she can find you too, where I’m going to send you.>>

The satellite replied with a burst of machine-meat language, which Thirteen knew she could not have understood before the Change.

It was excited to be alive. It was ready to soar.

Thirteen spent a whole day and night bobbing the drone around the concrete innards of the castle, putting the machine through its paces by observing the blob-creatures fighting over territory. It learned to dance through the air, slip by unseen, and climb the metal spires of this ancient edifice. It learned how to peel open the concrete and steel with fingers of subtle gravitic power. It learned how to make itself invisible, how to hold itself so still that even the cleverest of eyes could not see. It learned how to speak Thirteen’s language, how to show her what she asked for, and how to see in a dozen different ways, some of which Thirteen did not fully understand, though she had designed them.

After a day and a night, when dawn arrived, Thirteen called the drone back to the castle courtyard. With an ache in her heart, she prepared to say goodbye. As a last gesture of devotion, Thirteen extended her obsolete flesh from a sphincter on her underside and planted a kiss on the drone’s external carapace. She made her lips acid, to leave behind an imprint of her affection, a little red bow-shape forever imprinted on the white bone.

Then she stepped back and gave the drone control of its main booster engines. Like a hound loosed from the leash, it leapt — upward on an invisible plume of power, punching for the skies. The machine — the flesh-bud of her own body — receded toward the clouds, invisible to the naked eye, then to sensors, then even to Thirteen Arcadia’s own biological echoes. It howled with exuberance the whole way, with a voice Thirteen did not understand how she had birthed.

She handed the machine’s functions over to itself, one by one. She wiped tears away from her old eyes, inside her amniotic core.

On the last step she gave the drone a name — a whim, a passing fancy, she told herself. She knew this was a lie.

She named the drone ‘Hope’.

Thirteen did not want failure to bring disappointment, so she waited several days before she informed Pheiri about Hope. She tested the improved communications clarity by bouncing transmissions off the satellite; she could not access Hope without asking first, for now the child was its own entity, independent and free. Hope went unseen by any unwanted sensors. Thirteen had to handshake into a void, then identify who and what she was, before Hope would even reveal itself to be more than a sensor ghost.

She requested the on-board cameras to take pictures of herself down on the surface — and one of Pheiri, which was a bit more challenging. She ran tests against Hope’s anti-intrusion measures, and pushed her little baby to fight back for real. It did, with admirable skill.

When Thirteen was satisfied that everything worked, she told Pheiri about her plan. He indicated it was a good one. Then she told him about Hope.

Elpida was amazed. <<You put something in the sky? And — I’m sorry, I’m honoured, I’m just a little off balance — you named it after me?>>

Mirror — the angry little zombie — was less impressed. <<She’s put a spy-sat in low earth orbit? Pointed at us? Oh yes, please, paint a target on our heads, why don’t you? I thought the whole point of you leaving was so we don’t get giant monsters turning up to stomp us flat!>>

Thirteen did not argue. She sent Mirror her own data, all the records of her own counter-intrusion exercises against Hope. She gave Mirror Hope’s internal specifications, and challenged Mirror to do better. She allowed Hope to stand alone.

Mirror spent two whole days trying to break into Hope’s mind, to peel away one fragment of location data, or targeting data, or even just an acknowledgement that the satellite existed at all. Hope ran rings around her, for Hope was a little piece of Telokopolis.

Mirror failed. In the end, even Mirror was forced to admit that the plan was a good one.

Hope would speak true — the relay would work.

Whatever Thirteen found, down beneath the black and dead surface of what had once been the green, she would not be voiceless — not while her child hugged the rotten sky, waiting for her words.

Whatever she found down in the dark, the Commander would know.

Thirteen walked south, through the endless streets of a world that had become a corpse. At her current rate, allowing additional time for any further interruptions, she predicted the journey would take another twenty two days.

She began to thicken her armour and work on her internal pressures, filling her body with chambered fail-safes and ablative fluids, strengthening her immune system with new kinds of macrophage and lymphocyte, building up her reserves of raw grey nanomachines, gathering her courage.

Thirteen Arcadia began to prepare herself for the dive off the edge of the world, down into the black.


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(The above fanart is titled “On Wings of Hope,” by Melsa Hvarei! I am once again incredibly flattered and delighted to include this here, thank you so much!)

Cannibalistic death and unexpected new life; anything is possible, down in the sodden ashes of the end.

Wow! Well! We are indeed going to part 3 of this interlude. Thirteen Arcadia continues her solo journey toward the edge of the upper world, preparing for a dive down into the dark. And Elpida? Well. She took that harder than I expected, but I didn’t want to shy away from it, I didn’t want to avoid the implications of what survival means in this system of meat and machines. This one’ll leave a scar.

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And as always, thank you for reading! Thank you for being here on this long journey into the ash and dust, dear readers. I still have such sights to show you, I feel like we’ve barely begun! And, also as always, I could not be doing this without all of you! Thank you so much! Seeya next chapter!

12 thoughts on “Interlude: Thirteen Arcadia, Part Two

  1. This was a lovely chapter. I spend a lot of time thinking about who victims are, who survivors are, what they might be feeling and what kind of despair has to grip them; this chapter did a very good job of capturing that.

    Looking forward to the deeps – I keep rereading the brief description we got from Elpida describing the cadres brief trip down there. Everything has a goal, even if you have to define it as animalistic instinct. I very much want to find out what The Green’s goal was.

    Also I keep thinking of Silicon Life from BLAME! whenever I think of the Silico. Unsure if that was an intentional connection or not but it’s fun to speculate.

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    • Thank you, I’m really glad you enjoyed this one! I really wanted to not shy away from the implications of what Elpida and her group needed to do to survive, what it means to participate in this system, even if only once. I wanted to show that process of dehumanisation – and then follow it up with rehumanisation, as Elpida contemplates the reality of the people she killed and ate, and tries to deal with that on a moral and personal level. I’m really glad that worked, it’s a heavy subject, thank you.

      Ah! Indeed! Into the deeps! We might not see it directly next chapter, but with Hope in the sky, Thirteen now has a good chance of being able to broadcast whatever she finds down there, though it might be a while. I’m sure we’ll be seeing from her again, indeed!

      Oh, yes; I selected the name “Silico” as a direct homage to Blame!, which was one of the main inspirations for Necroepilogos, after all. Well spotted! There’s no direct thematic connection, it was just a small touch, despite “Silico” already having a real world meaning.

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      • Doing a reread knowing you’ve read Nihei makes some things make a bit more sense in terms of visualizing, but I’m not surprised I didn’t put it together – there’s so much going on here vs Nihei’s pretty weird focused/unfocused vibe. I love your imagining of out of control processes, it feels very underdone, Nihei or otherwise, to imagine out of control systems that still have some kind of intelligence going on. Silicon Life were sorta just assholes who kept reaching towards Big Technology God. Here it feels more like tech is still kind of advancing or moving laterally vs complete freezing/regressing as well.

        (Imagined the 20+ blonde clone ladies from Sidonia all coming to at once and immediately felt guilty for damning them to that lol)

        This feels like the comment to ask but I also wanted to ask if the XK warning Phieri got from his systems was a very gentle SCP reference as well. There are a couple others I think I’ve caught but I’m not confident in any of those.

        What this absolutely does put into focus is why this serial checks every single box of shit I’m into, which is super cool. Always amazing to find somebody who’s had a fiction trajectory that you find similar and hey they’re a great author and wrote something!

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      • Ah, thank you! Yeah, Nihei’s works were very influential on me when I was just starting out as a writer, though Necroepilogos is the first time I’ve put that influence directly into a story. I guess I’ve taken a more direct approach to the concept of out-of-control systems, running beyond human control, rather than the idea of decay or collapse or technological godhood. Silicon Life were always an interesting idea, but I wanted to take a similar thing in a very different direction. Any comparison with Nihei is very flattering, also, so, thank you very much!

        Ah, yes, the ‘XK’ label was a very small SCP reference, well spotted! I was around when the SCP setting started, I’ve always had a soft spot for it.

        Aw, and thank you so much! I’m really delighted that Necroepilogos is hitting that sweet spot for you. That’s sort of why I write at all, really. I always wanted to write the kind of things that I could not find elsewhere, the kinds of things I desperately wanted to read. So being able to do that for other readers is a great thing! Thank you so much!

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  2. Okay, there is a lot happening. Elpida is taking on an additional post game sidequest and more PTSD. Seriously, it’s no miracle that everyone and everything is so fucked up after millenia of this nightmarish foodchain-version. :/ Gardening seems to progress. Also, I am now imagining a future for Pheiri where he has flower buckets hanging all other him with leafy greenery hanging down like hair and billowing behind him like a cape when he’s going at full speed. Which looks hilarious. Also, “Elpida” or at least one part of her name means “Hope”? Or did her name become synonymous with hope after her death? I vaguely remember that the original cadre made their names up themselves, so the ladder would make more sense, but maybe I am remembering it wrong… …I might have to re-read some chapters at some point D: Plus, I am now thinking about an alternative universe, where Elpida draws the Linkin Park Logo on her armor and explains to Vicky “Where I came from, this stands for ‘Hope'”. And Vicky replies “Well, where I come from this is just ‘L P’, Elpi.” My mind does weird stuff, sorry. D:

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    • “additional post game sidequest and more PTSD”
      Oof ow lmao. That sure is a way of putting it. And … yes, this is causing her serious trauma. A tiny glimpse into what it must be like to endure this process for year after year, century after century. At least Elpida is pretty robust.

      Gardening! And it’s working! Yes!

      “Also, I am now imagining a future for Pheiri where he has flower buckets hanging all other him with leafy greenery hanging down like hair and billowing behind him like a cape when he’s going at full speed. Which looks hilarious.”

      Awww! That’s amazing! I really like that mental image, thank you!

      Oh, “Elpida” is literally the Greek word for hope, it’s the origin of her name. The implication is that her name is actually just Hope, in some variant of a Telokopolan language, or some variation of the word. You’re right, the original cadre picked their own names, so Elpida is to blame for this.

      “I am now thinking about an alternative universe, where Elpida draws the Linkin Park Logo on her armor and explains to Vicky “Where I came from, this stands for ‘Hope’”. And Vicky replies “Well, where I come from this is just ‘L P’, Elpi.””

      LMAO. Thank you! Amazing! Really glad you enjoyed the chapter, too, thank you!

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      • Ohhhhh okay, it’s an actual greek word D: I thought it was a made up name…. My bad, I should have just googled her name ^^’ Thanks for telling me :3

        …also, yeah, I have a habit of processing heavy subjects by making (sometimes inappropriate) jokes like referring to Elpidas resolve to pay back her victims for their sacrifice (which, given the ecosystem, might well take centuries) as a “post-game side quest”. To say ‘I didn’t mean to make light of it’ would be insincere – I did, if only to make it more digestible for myself. However, I definitely didn’t mean to belittle what is clearly a very important theme in your story. I am worried that it came across that way, though and would like to apologize if that was the case.

        I am really looking forward to the next chapter, thanks again for sharing your work with us and that you’re replying to all the comments! 😀

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      • It’s okay! It’s just one of those little easter eggs of detailed woven into the story! I do that with a ton of small details, things that aren’t needed for comprehending the narrative itself, but add layers of texture. And you’re welcome! I never mind explaining these things, it’s fun.

        “…also, yeah, I have a habit of processing heavy subjects by making (sometimes inappropriate) jokes”

        I think a lot of people do this! It’s quite normal, no worries.

        “However, I definitely didn’t mean to belittle what is clearly a very important theme in your story. I am worried that it came across that way, though and would like to apologize if that was the case.”

        Oh! No no, it’s absolutely fine! 100%, don’t worry about it. I got it entirely. And in the end, this is a piece of fiction, and how readers engage with the text and the themes is always going to vary, you’ve got nothing to worry about, seriously.

        And you are very welcome indeed! I’m looking forward to the next chapter as well. I’ll keep doing my best!

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